Kitsch Text Extralight|
Kitsch a family of 2 fonts by Zetafonts
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Aimer, c'est agir
victor hugo
Kitsch Text Extralight
Close your eyes and I'll kiss you, Tomorrow I'll miss you.
paul mccartney
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
Kitsch Extrabold Italic
Kitsch Text Extralight

featuring 2 fonts
And I'll dance with you in Vienna,
I'll be wearing a river's disguise.
The hyacinth wild on my shoulder
my mouth on the dew of your thighs.
And I'll bury my soul in a scrapbook,
with the photographs there and the moss.
And I'll yield to the flood of your beauty,
my cheap violin and my cross.
leonard cohen
The quick brown fox
Jumps over the lazy dog
supported charset
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HEX: #36484C
RGB: 54 72 76
HEX: #759099
RGB: 117 144 153
HEX: #A8BC65
RGB: 168 188 101
HEX: #BED2DB
RGB: 190 210 219
HEX: #D3DCE1
RGB: 211 220 225
We are the ones who take this thing called music and line it up with this thing called time. We are the ticking, we are the pulsing, we are underneath every part of this moment. And by making the moment our own, we are rendering it timeless. There is no audience. There are no instruments. There are only bodies and thoughts and murmurs and looks. It's the concert rush to end all concert rushes, because this is what matters. When the heart races, this is what it's racing towards.
rachel cohn
text medieval gothic rotunda bastarda contemporary modern highcontrast spiky black book classical old kitsch trial extralight zetafonts
typeface supports twenty-seven languages
English German Spanish French Portoguese Russian Italian Dutch Turkish Swedish Czech Polish Greek Norvegian Romanian Danish Hungarian Icelandic Finnish Lithuanian Estonian Latvian Albanian Catalan Serbo-Croatian-Bosnian Javanese Faroese

INFO

Designed by Francesco Canovaro with help from Andrea Tartarelli and Maria Chiara Fantini, Kitsch is a typeface happily living at the crossroads between classical latin and medieval gothic letterforms. But, rather than referencing historical models like the italian Rotunda or the french Bastarda scripts, Kitsch tries to renew both its inspirations, finding a contemporary vibe in the dynamic texture of the calligraphic broad-nib pen applied to the proportions of the classical roman skeleton. The resulting high contrast and spiky details make Kitsch excel in display uses, while a fine-tuned text version manages to keep at small sizes the dynamic expressivity of the design without sacrificing legibility. Both variants are designed in a wide range of weights (from the almost monolinear thin to the dense black), and are fully equipped with a extended character sets covering over two hundred languages that use latin, cyrillic and greek alphabets. Special care has been put in designing Kitsch italic letterforms, with the broad-nib movements referencing classical italian letterforms to add even more shades to your typographic palette. The resulting alternate letter shapes have also been included in the roman weights as Stylistic Alternates - part to the wide range of Open Type features (Standard and Discretionary Ligatures, Positional Numerals, Small Caps and Case Sensitive Forms) provided with all the 32 weights of Kitsch. Born for editorial and branding use, Kitsch is fashionable but solid, self-confident enough to look classic while ironic enough to be contemporary.

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